Don’t know why you’re getting downvoted just for that reasonable opinion, especially in a thread discussing concerns about a potentially negative reaction to season 5.

If season 5 doesn’t deliver, then season 4 being decent isn’t worth anything anyways. Why don’t we all wait to see how the thing ends before telling people they’re wrong for not being invested in it?

I thought season 4 was actually decent enough. At least better than the two seasons that preceded it.

But I’ll say the same thing that I said back when season 2 was announced: it should’ve been an anthology series. Introduce a new cast and new location each season. Keep the 80’s, keep the general pretense of the upside-down even, but change it up each time to keep it from getting stale.

I thought the same about Daredevil Born Again, but they bungled that up worse than even the bad Netflix seasons.

I loved the original Jessica Jones series but I feel like the Disney take on it is going to end up just as empty and soulless as Daredevil.

I’m not a marine biologist, so I can’t speculate on what the best alternative is for these whales, but I would like to imagine there are more options than the binary of “kill them” or “throw them to the wolves sharks”.

Marineland is just parroting the euthanize option because they’re upset they couldn’t make a quick buck by selling them to China. It’s a hissy fit tactic to try to un-block the sale.

If the whales are not able to be released in to the wild, I’m sure there are plenty of other facilities out there that would be able to care for them. Marineland might need to pay them to take the animals in, but it should be their obligation to do so if they’re unable to support the quality of life they need themselves.

C’mon Ottawa, force them to rehabilitate and release them, even if it kills the park.

A lot of animals cannot be rehabilitated and released. If they were born and raised in captivity, they have effectively no chance of survival on their own. I don’t know what the situation is for these animals, but I’ve been to plenty of zoos and aquariums in the past that have rehabilitation programs and even they have a few “lifers” who will never leave.

Don’t forget that Crunchyroll is also owned by Sony, who have basically picked up a monopoly on anime streaming services by buying out all of the competition. Aniplex, Funimation, Crunchyroll, Kadokawa, all under the Sony umbrella.

Nintendo raised the price of the Switch 1 and most of their accessory products in the US and Canada in May for Canada and August for the US.

This was following price increases for Nintendo Switch Online in Latin American countries which started in January. Nintendo has not raised prices of the subscription globally, but in their press releases about increased costs of hardware, they state that “price adjustments may be necessary in the future” for NSO, presumably after evaluating trends when the free trial period of GameChat ends for Switch 2 early adopters in March 2026.

And I know you said you don’t care about Sony, but just to share sources, Sony has already increased the price of their hardware in Japan in August 2024; Europe, Australia, and New Zealand in March; and the US in August of this year.

This was following earlier price increases in 2022 for Canada, Japan, Europe, Australia, and Mexico.

Sony also increased the cost of PS+ in North America, Europe, and Japan back in 2023, more recently for Southeast Asia back in April, and there are rumors of another upcoming price increase to be announced at some point now that we’ve entered FY2026.

So all of this is just to illustrate that what Microsoft is doing isn’t really anything new—it’s just the latest development in a continuing industry-wide trend.

Raising the price of hardware twice since May and now raising the price of game pass by 50% is not something a company does if they’re interested in competing against Sony or Nintendo.

But when Sony and Nintendo are doing the same thing…?

Don’t worry, the games industry has you covered on that now. They just release games that are broken or half-finished without the day 1 patch, but then allowing it to update removes all of the licensed content.

The very first sentence of the article and the body of OP’s post mention this is being made for Crave, so not a Netflix series.

I barely even buy 5 games a year, and often not at full price. And usually the games I want aren’t even on GamePass anyways.

$360/year is crazy. Only a good deal if you’re buying more than 6 full price games a year and plan to 100% beat them and never play again before they disappear from the catalog.

Reminded of the time when RuPaul put the fear of God into Jimmy Fallon.

The man is spineless and clearly doesn’t know how to navigate any subject he sees as too touchy.

Better AI than humans. Humans have the potential to be gay and will end up shoving their corrupt ideology into the minds of our children.

Can’t find a link to the referenced comic

Got you covered, fam.

There’s other versions around as well and I have no idea which is the original. Just replace “Bioware” with any studio that EA has purchased and chances are there is a version of this comic that followed that news.

That and Defiance were trying to capitalize on this short-lived trend of cross-media projects. They failed because along the way of trying to make both a show and an MMO at the same time, they forgot to make either of them good.

That season was a fairly close adaptation of The Last Wish, which is a collection of short stories in the Witcher universe and explains why the first season was more fragmented and episodic.

It is the first book in the Witcher series and sets a lot of the very formative worldbuilding details that resurface later on, and so it makes sense for it to be the first season, but subsequent seasons would have to be different.

From my anecdotal experience, I think more people liked the first season than the ones that followed. But I don’t think it was necessarily because of the shift from episodic plots to the serialized season-long plots that followed. I blame the fact that the writers for the series felt they could write better than the original author and started doing their own thing with it.

Original writing can be good, and there are definitely some parts of the Witcher books that haven’t aged well (or simply wouldn’t be good fits for TV), but the TV writers took a chainsaw to the plot when they probably should have taken a scalpel, and if that happens too early and too severely in a story, it just snowballs and gets worse from there.

Not strange at all, it’s not as though it’s a particularly action-y game.

If someone wanted to play FF7 Remake/Rebirth on M&K, I might have a few more questions, but speaking as someone who still plays a lot of FPS games with controller, you’ll never hear me tell someone that their preferred style is wrong.

There are a few asset upscaler projects that might be worth looking into, but also be careful which version of the game you play, as not all mods support the same versions.

There is the PC 1998 port. Being from a time before controller support on PC was a thing, you’ll have to really try to weasel in controller support somehow if you want it. Some parts of the PlayStation release (glitches and spelling mistakes) are fixed, but it introduces many bugs of its own. Character models have mouths. Supports mods, but a lot of the go-tos may be pretty old and harder to find at this point, and you’ll really need a lot of QoL mods to make the experience workable.

There is the PC 2012 port, which is a (lightly) remastered version of the 1998 port. Character models still have mouths. Contains further localization changes from the 1998 port. It runs far better on modern systems than the 1998 port, adds some (not great not terrible) controller support, and some of the features from popular QOL mods that people used to add to the 1998 version are baked in. This is the version that is currently sold on Steam. Also supports mods.

Then there is the 2015 mobile/console port, which is further adapted from the 2012 PC port. Character models have mouths removed to be closer to the PS1 style. Introduces achievements, better native controller support (still far from perfect), and slightly better support for larger resolution displays. This is the version you can buy on the Xbox Store for PC. Basically no mod support because Xbox App games are very locked down, but it includes the “boost” (cheat) features that Square Enix has included in other Final Fantasy ports (toggles to speed up time, characters do max damage, no encounters) which some may hate the inclusion of, but do make it easier to just play the game for the story if you’re looking for zero grind.