well the critique is not about the world building. i mean the world building is bad too but that’s not about the morality of the world. the critique is about what the books present as good or bad.
there are many examples of this.
body shaming and misogyny/transphobia: bad people are fat, good people are at most “plump”. bad women have mannish features, like big physiques, square jaws and mustaches.
slavery is good, actually: the problem with slavery in the books isn’t that it’s portrayed at all, it’s that it’s portrayed as good for the house elves except for one weirdo freak who wants to be free for some reason. also house elves even as a term is yikes imo.
zero concern for diversity: it’s not that the book just lacks it but the fact that the very few token characters who were put in are just cardboard cutouts with downright disrespectful names. the Asian girl is cho chang because i think the editor may have vetoed the first ch-ch name she came up with. the black guy is called kingsley shacklebolt because “tyrone escapedslave” was too on the nose i guess. the british wizarding school is for some reason more populous than schools that represent much larger populations, and it has a proper name while all others are called “wizard school” or “magic place” very badly translated because she couldn’t be fucked to engage with another culture even on a surface level. she also disrespectfully dismissed some regional beliefs about magic because why not.
good people vs bad people, not good deeds vs bad deeds: you can see throughout the book “good” and “bad” people doing the exact same things but represented as good and bad depending on who’s doing them, not what they’re doing.
status quo above all: challenging systemic problems is never a solution, even slavery, and any change must only involve individuals. whatever you may gather as “challenging authority” for example is always about the people using the authority, and not whether the authority itself should exist at all. the main protagonist becomes a fucking cop at the end. and the books end in literally everything being the same as it started, sans the threat of voldy, and “all is well” despite the same abusive systems, castes and slavery still existing. because status quo is good and systemic change is bad.
it keeps going, and it gets worse if you go beyond the HP books. it’s not what’s in the world, it’s how she presents them.
well the critique is not about the world building. i mean the world building is bad too but that’s not about the morality of the world. the critique is about what the books present as good or bad.
there are many examples of this.
body shaming and misogyny/transphobia: bad people are fat, good people are at most “plump”. bad women have mannish features, like big physiques, square jaws and mustaches.
slavery is good, actually: the problem with slavery in the books isn’t that it’s portrayed at all, it’s that it’s portrayed as good for the house elves except for one weirdo freak who wants to be free for some reason. also house elves even as a term is yikes imo.
zero concern for diversity: it’s not that the book just lacks it but the fact that the very few token characters who were put in are just cardboard cutouts with downright disrespectful names. the Asian girl is cho chang because i think the editor may have vetoed the first ch-ch name she came up with. the black guy is called kingsley shacklebolt because “tyrone escapedslave” was too on the nose i guess. the british wizarding school is for some reason more populous than schools that represent much larger populations, and it has a proper name while all others are called “wizard school” or “magic place” very badly translated because she couldn’t be fucked to engage with another culture even on a surface level. she also disrespectfully dismissed some regional beliefs about magic because why not.
good people vs bad people, not good deeds vs bad deeds: you can see throughout the book “good” and “bad” people doing the exact same things but represented as good and bad depending on who’s doing them, not what they’re doing.
status quo above all: challenging systemic problems is never a solution, even slavery, and any change must only involve individuals. whatever you may gather as “challenging authority” for example is always about the people using the authority, and not whether the authority itself should exist at all. the main protagonist becomes a fucking cop at the end. and the books end in literally everything being the same as it started, sans the threat of voldy, and “all is well” despite the same abusive systems, castes and slavery still existing. because status quo is good and systemic change is bad.
it keeps going, and it gets worse if you go beyond the HP books. it’s not what’s in the world, it’s how she presents them.